Starting the race halfway from the finish line

To reason fallaciously is to cheat. It’s like arriving at the finish line of a race without having set out at the start line. Like finish lines in races, conclusions in arguments must be earned. And one earns them with the hard work and sweat of a fair analysis of the evidence available. Sometimes the argumentative race is a 100 meter sprint, sometimes a 5k, sometimes a marathon. The op-ed piece is something like the 5k. The time is short, but it is not too short to develop some depth to one’s argument.

That said, Will cheats again in today’s 5k argumentative race in the Washington Post (SOURCE (WashPost 9/02/04)::

Goldwater was, in a way, the first angry man of the angry ’60s. But he actually smiled far more than he scowled. In his last years some conservatives excommunicated him because of his support for abortion rights and his relaxed views regarding homosexuality. However, this week his spirit is smiling broadly.

Will argues that the placement of two not so doctrinaire (but for different reasons wildly popular) Republicans on the podium of the convention during prime time TV coverage constitutes a revival of the socially “liberal” but fiscally conservative side of the Republican party. But Will can only conclude this if he thinks the race judges are not paying attention, for the race judges know that the party platform approved only days before (and wholeheartedly embraced by the actual candidate in this election) did not reflect anything like the social agendas of the few speakers at the convention Will refers to. It was anything but socially liberal. Nevertheless, Will chooses to ignore this obvious fact, and so draws a conclusion he does not warrant, and claims to win a race he has not run.

I’m not a political analyst, but I star in plays with political themes

The depth of the liberal media squad shows its teeth:

“All these figures in Shakespeare suffer from hubris, and that’s what W. is suffering from,” says Kenneth Albers, a veteran Shakespearean actor who is playing Lear in Ashland.

On the strength of this actor’s knowledge (note the term “veteran”) of the behavior of semi-fictional characters in Elizabethean drama, one can only conclude that Mr.Bush (here just “W”) does indeed suffer from hubris. In addition to the political pressure of such “Hollywood liberal elites” as Ben Affleck, the Bush campaign must now contend with the power and influence of Stratford-upon-Avon.